THE HANDS OF SHAMASH: IS REALITY A CUNNING HOLOGRAPHIC DECEPTION?

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THE HANDS OF SHAMASH: IS REALITY A CUNNING HOLOGRAPHIC DECEPTION?

Do aliens exist? Is there life in other planets? Have they ever roamed the earth? What do aliens look like? According to the trustworthy Pentagon extraterrestrial life have never discovered, but that doesn’t necessarily mean it doesn’t exist. The authoritative cabal will not debunk neither confirm the existence of extraterrestrials because they know the truth. They know that aliens are not really extra-terrestrials but ultraterrestrials since they dwell in another spatial dimension parallel to ours, another realm or domain. They’re not located light-years away as we’ve been told. This means that the key to understanding UFOs is found in quantum mechanics and expansion of consciousness.

There is an 11th-century fresco mural painting etched onto the wall of a cathedral located in Svetiskhoveli in Eurasian Georgia that depicts two unusual disc-shaped floating objects that look like UFOs, they appear to be intelligently controlled but not piloted. The grandiose cathedral is situated in Mtskheta northwest of Tbilisi the capital of Georgia. The 1,000-year-old artwork in the highly artistic Christian orthodox church features Jesus Christ nailed to the cross as per usual, but what’s important and relevant is the mysterious flying crafts or machines on the top left hand corner and on the top right hand corner. It is clear that the unknown original artist who painted this mural drew two UFOs hovering in the sky in the background, it was drawn intentionally, not by accident. The wingless rotating UFOs are the focal point of the painting, they look like dome-like ships with three pointed projections or trails coming out of the bottom. The circular-shaped objects are a form of advanced tech but they also have a jellyfish feel to them, as if they are plasma-like organisms that are remotely controlled by an all-powerful invisible entity, the one pulling the strings behind the veil. It is important to distinguish that one craft is reddish like the sun while the other one is silvery like the moon. The bottom line is that the unknown artist who created this painting seems to be telling us that flying saucers, not guardian angels, were present during the death of the Biblical Jesus. Coincidentally, the legend says that this revered church which was built between 1010 and 1029 contains the robe of Jesus of Nazareth, which could very well be some form of advanced alien technology.

(11th-century mural painting in the Svetiskhoveli cathedral in Mtskheta in Georgia)

(The two gyrating circular objects look like laser-induced plasma volumetric displays)

If we pay close attention at the two UFOs in the 11th-century mural painting we’ll see that they’re not nuts-and-bolts crafts, they’re shape-shifting plasmic-looking objects that glow with electro-magnetism. It may sound far-fetched like a crazy whacked-out idea, but these two floating discs represent the hands of Shamash. Who or what is Shamash? To make a long story short, Shamash is the deity that the Freemasons of English-speaking countries call the great architect, he has no shortage of names in different countries and cultures. All-powerful Shamash is the same as Anu-Enlil, supreme deity of the Anunnaki pantheon in ancient Assyria, he’s a hyper-advanced humanoid-like extra-dimensional alien capable of calibrating his frequency and density at will, he can manipulate perceptible matter and therefore our physical reality. Iconic Shamash is an energy being, he can be compared to a conductor of an orchestra who waves his hands when directing the players. Every time there’s a reconfiguration in the power structure of earth, his two discs pop in the sky, like the scales of justice. The clear sky is like a screen display, since Shamash is the programmer of a hyper-realistic video game called physical reality, he uses gesture-based computing to regulate our world. This means in practical terms that the two flying discs we see in the wall of the Svetiskhoveli cathedral in Georgia are not necessarily vessels piloted by human-like aliens, they are a form of projected consciousness. The two plasma-like organisms are intertwined with the energetic aspect of Shamash’s consciousness, they are like floating digital images.

(The limestone stele of Naram-Sin displayed in the Louvre museum shows the two sacred discs of Shamash hovering above a holy mountain)

Last but not least, it is essential to understand that flame-shouldered Shamash is not God-source, his God-like technology is indistinguishable from magic but he is a created being. In a way he is like a cold-deterministic machine that re-calibrates itself and re-creates itself at appointed times. Demiurge-Shamash is subject to the One above him.

(The Sun god tablet currently housed in the British museum of London displays enthroned Shamash empowering a Babylonian ruler)